| 1 | [Introduction] | 1:04 |
| 2 | Something Beautiful | |
| 3 | [Sinéad on the motivations behind creating Theology, and why she recorded the same songs with different production in Dublin and London. Also, how Curtis Mayfield's We People Who Are Darker Than Blue fits into Theology] | 7:03 |
| 4 | We People Who Are Darker Than Blue | 3:56 |
| Dublin sessions | |
| 5 | [Did growing up in Ireland make O'Connor spiritually introspective at a young age? Also, chat about her recent scripture studies] | 2:27 |
| 6 | 33 | 2:43 |
| London sessions | |
| 7 | [[Something Beautiful: The Sinéad O'Connor Theology Conversation ID] | 0:40 |
| 8 | [Sinéad talks about Psalm 33, making music again after retiring, keeping Theology cool, and the song Dark I Am Yet Lovely] | 4:46 |
| 9 | Dark I Am Yet Lovely | 4:11 |
| Dublin sessions | |
| 10 | [Ms. O'Connor on her domestic situation, and her cover of I Don't Know How to Love Him] | 2:17 |
| 11 | I Don't Know How to Love Him | |
| 12 | [The non-aggressive attitude of Theology is discussed, and whether her newfound peacefulness has led to any regrets] | 2:06 |
| 13 | Whomsoever Dwells | 2:53 |
| Dublin sessions | |
| 14 | [The meaning of the Psalm that inspired Whomsoever Dwells is explained, as well as "Jah"] | 2:34 |
| 15 | The Glory of Jah | 4:56 |
| London sessions | |
| 16 | [[Something Beautiful: The Sinéad O'Connor Theology Conversation ID] | 0:40 |
| 17 | [How Sinéad's relationship with the press led to her retirement. Also, the specific artists who inspired her to use her fame for a purpose, and, finally, how she came to rewrite the spiritual Rivers of Babylon] | 4:05 |
| 18 | Rivers of Babylon | 2:36 |
| Dublin sessions edit | |
| 19 | [Conclusion] | 0:37 |
| 20 | [silence] | 1:00 |
| 21 | [Is Theology an anti-war record?] | 0:56 |
| 22 | [Why have you thought about making an album like this since you were a child?] | 1:15 |
| 23 | [Why did you decide to record 2 CDs of the same songs, with different versions cut in Dublin and London?] | 1:26 |
| 24 | [How does Curtis Mayfield's composition We People Who Are Darker Than Blue fit into the Theology concept?] | 1:48 |
| 25 | [Did growing up amidst the strife in Ireland make you spiritually introspective at a young age?] | 0:56 |
| 26 | [When did Sinéad decide to un-retire and make music again?] | 1:23 |
| 27 | [Does she regret ripping up the Pope's picture on national television?] | 0:18 |
| 28 | [Why did she stop talking to the press and retire temporarily?] | 0:53 |
| 29 | [Who inspired you to use your celebrity to affect change?] | 0:56 |
| 30 | Something Beautiful | 5:29 |
| Dublin sessions | |
| 31 | Something Beautiful | 5:15 |
| London sessions | |
Discogs
